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CRIMINALLY GOOD: Interview with author Megan Goodenough

     539833_10151626052123755_1783653154_nSo, who are you & what have you written?

    I am Megan Goodenough, aka @book_meg. My first self published novel is A Company of Roses

    The book is about Cas: when her best friend disappears after a drunken night out, she’s drawn into a hunt for an Elizabethan treasure that holds the answer to a very modern, very dangerous, conspiracy. Pursued by a criminal gang, then hunted by a former Russian spy, it’s a good thing intelligence agent Reuben is there to watch her back – but can she really trust him? The end of the journey is more personal than she could ever have imagined as she finally unearths the British Government’s most well-kept secret and faces the organisation sworn to protect it.

    Why do you write crime fiction?

    I’ve always been drawn to stories with plenty of action and intrigue. Years ago I went on a Writing Crime Fiction evening course and soon afterwards work I did was shortlisted for the Crime Writers Association Debut Dagger Award – there’s nothing like a bit of success to get you hooked! I think crime fiction has the possibility to examine any theme or situation that an author wants.

    A-Company-of-Roses-CV-900x600What informs your crime writing?

    I always start with a concept. For A Company of Roses: what if a piece of modern art held the key to an ancient conspiracy?

    Places and landscapes are really important to me – the novel is set in York, Derbyshire, London and the English countryside. So are objects: they can carry stories over a thousand years, no matter how many hands they pass through.

    What’s your usual writing routine?

    The one thing I never do is sit down in front of a screen and command myself to write. I make notes during the day, usually with the other hand stirring pasta sauce, or when I’m on the bus or something. Then in the evening I sit down and type them up … Sometimes that takes me into an evening of writing.

    Which crime book do you wish YOU’D written, and why?

    I just read The Moonstone by Wilkie Collins. I particularly love the sections by a totally untrustworthy narrator, she misunderstands absolutely everything in such a hilarious way, but the reader totally knows what’s going on. It’s masterful, and a total page turner well over a century after it was published. I think every writer would love to think that people will still be enjoying their work a hundred years from now!

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